It could easily be said that 2007 was perhaps the best year in movies in a very, very long time. A year of great film and great performances like the one we’ve just had made this year’s Academy Awards, a typically overblown, self-indulgent event, an absolute must-watch. In the absence of sports of any kind, I sat down and watched every minute and came up with a high and a low of last night’s three-and-a-half hour show.
HIGH - GLEN HANSARD AND MARKETA IRGLOVA WIN FOR BEST SONG
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One of the truly sweetest, most heart-warming moments you’ll ever see on any awards show. The song, which they performed last night, was far and away the best song. Haunting and beautiful, it was much better than the THREE songs nominated from Enchanted, all of which were crap, and a song from August Rush, a movie that was critically panned. They deserved to win and as John Travolta, and whatever woodland creature he skinned to adorn his presumably balding head, opened the envelope I feared the winner wouldn’t be Hansard and Irglova. But Oscar sometimes has a way of shining on the underdog. The speeches were moving and when the orchestra played Irglova off before she’d even opened her mouth (something I will get to later), host Jon Stewart did the classiest thing of the evening and ushered Irglova back onstage to give her speech as you’ll see above. The moment touched even the most cynical hearts and in a year where the pair of brothers that won for Best Adapted Screenplay, Best Director and Best Pictures acted like they just got free seat cushions at a baseball game, it was nice to be reminded how much these awards mean to the people receiving them.
LOW: SETH ROGAN AND JONAH HILL BOMBING

I don’t know if this bit was written for them but Seth Rogan and Jonah Hill had, hands down, the least authentic, least clever and frankly, least funny banter of the night when they argued over who was Halle Berry and who was Dame Judi Dench. As someone who likes Rogan’s work (save Superbad, which I thought was a really horrible, unfunny movie), I was frankly embarrassed for him.
Another low for me was Bill Conti’s direction of the show’s orchestra. Now, I’m not going to blame Conti for all of it because I’m sure his direction was coming from the show’s producers but I find playing people off when they are in the midst of a speech they’ve waited, literally, their entire lives to make (save Joel and Ethan Coen, apparently) completely disrespectful. The very least The Academy can do is extend the courtesy to the professionals in your own industry to let them say what they have to say and have their moment.